Black and white models taken to Milan Furniture fair 2012.
I've been interested in monotones for a while and these have come out of that thinking. Looking at the colour saturation and reversing black on white white on black and how would this transfer into a large scale design?
White carved close up in the smaller models marks are easier to achieve compared to working on a larger scale. It somehow loses it's freshness because it's harder to move through the clay at the same speed.
these lucid marks have been made through rapid swift motions during the making process.
