Postavka rada u okviru projekta "Nova kolekcija", Crnogorska 5, Beograd 2014.
Presentation of the work within the project " New colection" Crnogorska 5, Beograd 2014.
Rad "Portret MSUB", govori ne samo o problemu muzeja kao prostora koji je već duže vreme zatvoren, već takođe o njegovoj postojanosti u vremenu, kao i njegovoj biološkoj datosti. s obzirom da nisam imala prilike da posetim unutrašnjost muzeja, ni u periodu kada je bio otvoren za javnost mogu reći da moj odnos prema njemu i ne postoji, već ga posmatram kao još jednu zgradu koja polako trune u Beogradu.problem vremena, koji se neminovno nameće, navodi me da se zapitam da li ta zgrada, na bilo koji način može biti "živa" za mene. iz tog razloga odluka da uzmem bris direktno sa zgrade, je jedini način da uspostavim komunikaciju sa njim, ali isto tako i da iznesem na videlo to da koliko god nam se inilo da je Muzej mrtav, u ovom slučaju biva oživljen, barem privremeno. slika koja nastaje organskim putem, i koju pruža upravo živa struktura zgrade, govori ne samo o protoku vremena već i o njenoj neminovnoj istoriji, ali i ništavilu koje nosi sa sobom. Samim tim ova vrsta rada jeste privremena, kao i mogućnost da se susretnem sa muzejom, ali svakako omogućava i dodatnu arhivu, koja ovim putem biva iznešena na videlo.
The work "Portrait of MCAB" is not only about the issue of Museum as a space, which has been closed for some time; it is also about Museum s existence in time, as well as the biological aspect. Given that I have not had a chance to visit the interior of the Museum, neither when it was open for public nor now, I can infer that I do not have a relationship with it, and see it merely as one building in line building rotting away in Belgrade. The issue of time imposes itself repeatedly , and brings me to wonder whether this building could in anyway be alive to me. This is the reason I decided to take a swab off the building as the only way to interact with it, but also to bring to light that no matters just how much we thought the Museum was dead, it occasionally and temporarily comes to life like this. the image starts to appear organically, and which was actually provided by the building itself, speaks not only about passage of time but its evident history, and nothingness it leaves behind. Considering all this, this type of work is temporary, much like my opportunity to meet Museum; it provied an additional data, which was thus made tangible.
