Every Little Thing is about transitional states. And with good reason, as Lozano has just relocated from Southern California to New York City. Every Little Thing references the attentive eye for repetition and variation in the sidewalks and abandoned lots that are both specific to New York and universal to most civilization. These common wonders blend with abstracted cityscapes in which all the individual details swirl together into one whole. Fields of rubble sliced by vine-choked fences, brick walls merged with concrete buildings, and a basketball deflating below wild dandelion stalks are just a few examples of how Lozano presents raw waste material while subtly encouraging it to grow into something new. The sets of serial images and repeated motifs have a great sense of continuity. Each step and sidewalk are an opportunity for finding beauty, and the photographer has monkishly devoted himself to these lower places. There is poetry waiting to be read in Every Little Thing.