Lutz Hilgers was chosen to snap some pictures of renowned photographer and fellow Düsseldorf resident Thomas Struth for the Financial Times. The portraits show the artist utterly at home in his office, a space which blurs the lines between work and home.
A bed is discreetly set up in the corner; we see Struth accompanied by his pet dog and surrounded by books and records as well as archives and set models. Lutz shows us that play is obviously an essential part of work for Struth, an ethos you can’t help feeling a little envious of.
A bed is discreetly set up in the corner; we see Struth accompanied by his pet dog and surrounded by books and records as well as archives and set models. Lutz shows us that play is obviously an essential part of work for Struth, an ethos you can’t help feeling a little envious of.
If you like Lutz work, please have a look at his portfolio.
