A person is a person in so far as he has the ability to act and remain the subject of the game at will. "Created in the image and likeness of God". Each of us plays out his life, which, in the universal essence of the game, stands on a par with the "masquerade" dances of primitive tribes.
"After being banished from paradise, a person lives by playing."
Objectively involving all human activity, the game process responds to a subjective feeling of involvement in the game in each of us. The tendency and ability of a person to put all aspects
of his life into forms of playful behavior is a confirmation of the value of his original creative
aspirations. A work of art is present in time, but exists
in eternity and as such contains the spiritual experience of both the past and the future.
The work of art is exhaustive, it cannot be explained and cannot be understood, being a plastic image of an inexplicable universe.
We understand the rules of this game more and more deeply, but the course itself seems more incomprehensible to us.
Culture itself (speech, myth, cult, science) has a playful nature. The essence of the game is
frivolity, but playing animals, unlike humans, do not laugh.
Sculptures, excerpts from letters, found objects, graphics, paintings that capture
moments and collage are objects of reality, evidence of a certain playing field.
The exhibition is a way of learning.
The game is in no way related to material interest and cannot bring any profit.
"After being banished from paradise, a person lives by playing."
Objectively involving all human activity, the game process responds to a subjective feeling of involvement in the game in each of us. The tendency and ability of a person to put all aspects
of his life into forms of playful behavior is a confirmation of the value of his original creative
aspirations. A work of art is present in time, but exists
in eternity and as such contains the spiritual experience of both the past and the future.
The work of art is exhaustive, it cannot be explained and cannot be understood, being a plastic image of an inexplicable universe.
We understand the rules of this game more and more deeply, but the course itself seems more incomprehensible to us.
Culture itself (speech, myth, cult, science) has a playful nature. The essence of the game is
frivolity, but playing animals, unlike humans, do not laugh.
Sculptures, excerpts from letters, found objects, graphics, paintings that capture
moments and collage are objects of reality, evidence of a certain playing field.
The exhibition is a way of learning.
The game is in no way related to material interest and cannot bring any profit.
Access to the game is free, the game itself is a manifestation of freedom.
.
together with Maria Pilkevich
