Art Manifestations of Naánda
a branch of "Journey of Justice", a project by Miguel García, founder of Ardmetan.
Peoples from all over Terbenlash, also known as the Great Continent, have greatly embedded their cultural identity in their artistic manifestations in different media throughout their history. This collection is a little sample of the endless creativity of the Naándan peoples and humanity in general.
Visual Arts
Uğut-T'ağarlakian Traditional Pattern
(Məkhrakk'ün - Mihrahkkün, Teribiye)
Unknown Uğut-T'ağarlakian Artist, Design over cloth, displayed at the Behinindir Museum of Art.
(Məkhrakk'ün - Mihrahkkün, Teribiye)
Unknown Uğut-T'ağarlakian Artist, Design over cloth, displayed at the Behinindir Museum of Art.
The Uğut-T'ağarlak peoples from Northeastern Terbenlash fused the traditional arts from the Teribeyin Empire and Arthapjite Clans since they were the offspring of Princess Merahlike of Teribiye and an Arthapjite low ranking soldier named T'akhram.
Fragment of the Mural of T'əhrimkkən:
The Dawn of the Land of Love
(T'əhrimkk'ən - Tehrimken, Teribiye)
Unknown Uğut-T'ağarlakian Artist. Mural from the Əzret'ümmüq Archaeological Site.
(T'əhrimkk'ən - Tehrimken, Teribiye)
Unknown Uğut-T'ağarlakian Artist. Mural from the Əzret'ümmüq Archaeological Site.
After escaping from her kidnappers, Merahlike found T'akhram, a dying Arthapjite soldier. The man told the princess that she was the reason of why he was exiled from his homeland, as he was suspected to be one of her kidnappers. She knew that the truth was radically different, making her feel moved by his dire condition.
Merahlike then told T'akhram that she would take care of him and eventually they fell in love. Yet their relationship wouldn't be accepted by their people, they then decided that they would live together and build their own nation, Uğut-T'ağarlak, where the exiles were could have a homeland once again.
Precautionary Enactment Due to Persecution
(Əzməwrt'əwkhaq - Azmevret-Izmut / Teribiye)
Unknown Tomihōtaŵan Scribe. Ink over soft bark, scan from the Əzret'ümmüq Archaeological Site.
(Əzməwrt'əwkhaq - Azmevret-Izmut / Teribiye)
Unknown Tomihōtaŵan Scribe. Ink over soft bark, scan from the Əzret'ümmüq Archaeological Site.
Everything, ranging from their patterns and colors to their writing system and language was a fusion of their original cultures.
Unfortunately this also provoked the prosecution from their cultural forebears that eventually destroyed their civilization.
Unfortunately this also provoked the prosecution from their cultural forebears that eventually destroyed their civilization.
Uğut-T'ağarlak is absent from the Great Continent to this very day, but they used to live in an area that comprised northwestern Teribiye and southeastern Arthapje.
The 167th Law: On Forbidding to Shout Out to the Emperor for Help
(Meruŵehamakýre, Tomihōtaŵe Empire)
Unknown Tomihōtaŵan Scribe. Ink over soft bark, scan from the Tümehananare Imperial Archive and Library.
(Meruŵehamakýre, Tomihōtaŵe Empire)
Unknown Tomihōtaŵan Scribe. Ink over soft bark, scan from the Tümehananare Imperial Archive and Library.
Tomihōtaŵe was one of the first nations to be founded in Naánda. Mainly formed by Barithshemite exiles that couldn't speak the Barithshemite language according to their law.
Yet instead of creating of a more simple and easy language, they opted to develop a very complex language that would take up to adulthood to completely dominate. Thus it became a requisite to become a honourable citizen of the Tomihōtaŵe Empire.
Tōminara Jar of Habenuyume Hiyōtonobashi: The Announcement of the Second Emperor's Death
(Ranameyibe, Tomihōtaŵe)
Unknown Tomihōtaŵan Scribe. Ink over canvas, replica held at the Tümehananare Imperial Archive and Library.
(Ranameyibe, Tomihōtaŵe)
Unknown Tomihōtaŵan Scribe. Ink over canvas, replica held at the Tümehananare Imperial Archive and Library.
These decisions were taken by the sons of the house of Hiyōtonobashi, starting from a man who used to be a high ranking member of the Barithshemite society until the exile that provoked him and his children to become psychologically troubled. One of the results of such harsh behavior was that the first emperor made his son to become very paranoid and fearful.
When the time arrived for the emperor's son to become the next ruler, he enacted a total of 500 very radical laws that were punishable with death.
The second emperor's eldest child perpetrated a crime that caused him to be killed despite being the heir to the empire, due to this, the second emperor committed suicide, leaving the throne to his second son.
The Two Facets of Kefüri Hiyōtonobashi
(Meruŵehamakýre, Tomihōtaŵe Empire)
Created by Sasirebe Marehanaju. Ink over soft bark, scan from the Tümehananare Imperial Archive and Library.
(Meruŵehamakýre, Tomihōtaŵe Empire)
Created by Sasirebe Marehanaju. Ink over soft bark, scan from the Tümehananare Imperial Archive and Library.
The third emperor, Kefüri Hiyōtonobashi wanted to end with the curse that had provoked great suffering to his family, and even though he tried his best, eventually was cursed again by one of his closest counselors, who decided to keep the empire for himself. Kefüri was overthrown and his body abandoned in the grasslands outside the capital, where he fought to restore his sanity and recover his throne. Unfortunately for him, the curse overwhelmed him greatly and succumbed to its power.
The Family of Hiyōtonobashi was nowhere to be seen since that day, yet the empire is still remaining in the western side of the Great Continent.
Metan, Amatkýp Mehesenet and Tilmi
(Menabih-Menafsat, Barithrone / 2020)
Created by Anhat Henumempetah, Displayed at the Barithronite Ministry of Fine Arts. [in Late Reformed Barithronite]
Anhat Henumempetah's watercolor paintings demonstrate the appreciation and beauty of even the most common elements of life, such as clouds, waves and leaves respectively.
The Barithshemites have been very immaculate, pristine and strict yet creative in their representation of nature since the early days of humankind.
The Barithshemites have been very immaculate, pristine and strict yet creative in their representation of nature since the early days of humankind.
Clothing
Collection of Traditional Clothing from the Great Continent
From left to right:
- Summer Imperial Garments of Kefüri Hiyotonobashi (Empire of Tomihotawe)
- Barithshemite Army General Outfit (Barithshemeth)
- Hieroglyphic Soldier Representation (Azdhrat-Axlýt'ug Ruins)
- Royal Outfit of Merahlike of Uğut-T'ağarlak (Uğut-T'ağarlak)
Printed Media & Advertising
Arthapjite Culture Festival Poster
(Belitanasiy, Hjadyniv ASSR / 1972)
Issued by Ministry of Culture of the HFSSR. [in Hjadynivnaya and Cyrillic Arthapjite]
Arthapjite Culture Revival Ad
(Asyr-Mt'enawzýt, Arthapje / 2021)
Issued by the Arthapjite Ministry of Culture and Heritage. [in Cyrillic Arthapjite]
"A Day in the Life of Yelmerbeyin" Exhibition Advertisement
(Taharmakyapan, Terý / 1996)
Issued by the Teriben Culture Administration [in Teribindil]
Political Magazines on "The Kölmenkkin Effect"
(Kindelstaat, Aziram and Hjadýnivnýya / 2021)
Issued by the Ölt Mergyök Érmiventöl, Arfen Broadcast & Mond Vizhirlinki.
Poster on the Founding of Kindelstaat "The Great Arrival: The Five Original Families"
(Ökyökßártvel, Kindelstaat / 2021)
Issued by the Kindelstaat Secretariat of Culture.
"Hayətawa Moxßapi" Exhibition Advertisement
(Telmemteny, Aziram / 2021)
Issued by Aziramese Department of Culture. [in Vulgar Aziramsese]
Arthapjite Nature Festival Poster
(Mýrtxənəpze, Arthapje / 2021)
Issued by Arthapjite Ministry of Culture and Heritage. [in Arthapjite]
The Arthapjite Nature Festival (Әртҳапжә Лъаматы Фежмек) is one of the most important holidays for the Arthapjites, because their civilization is deeply connected with nature. Their national color derives from the petals of the Лъакә (Łakə), the flower that welcomed the Arthapjites into what is today their homeland.
Each plant had three flowers, which related with their three Arthapjite Tribes and rows of seven leaves, which they related to the original seven administrative divisions of Arthapje, with the topmost leaf representing the capital territory.
Soon thereafter they declared that the land wherein those plants grew, was rightfully theirs as they considered that they should settle everywhere a Łakə stood.
Music
"Miltermýsýn Aktanamýrþbe" Lost Single by Yermut Otmemheŧ
(Merthmeshek, Barithrone / 1921)
Issued by Xarmoniya Intercontinental. [in Cyrillic Barithronite]
Intercontinenal Album Cover Collection
(From Yermatsakhabat, Tomihotawe, Barithshemeth, Hjadýnivnýya, Arthapje and Kindelstaat)
Issued by Xarmoniya FGV (Armoni GVF) of the HFSSR & ƏME Records.
"Medin Athalýk" Album Cover and Record
(Mýsýrtve, Teribiye ASSR / 1954)
Issued by Xarmoniya FGV (Armoni GVF) of the HFSSR. [in Cyrillic Teribindil]
Multiculturalist Music Album Advertisement
(Pribyet, Hjadyniv ASSR / 2016)
Issued by Xarmoniya FGV (Harmony GRF) of the HFSSR. [in Hjadynivnaya and Record Sticker in Vulgar Aziramese]
Architecture
Gallery of Barithshemite Monuments
From left to right:
- Palace of the Pleasant Language (Ust-Mtshur)
- Greater Monument of the Great Continent and Barithshemeth (Barithmeneneth-Ursthan)
- Barithshemite Monument to Naánda (Ust-Pernmetan)
The Barithshemite Monument to Naánda was erected by Federat Ahbek Haderneþ in Barithshemeth to celebrate the beginning of the Intercontinental Welfare Covenant with the Great Continent in the year 1017.
Consecutively, each nation in the Great Continent constructed one monument on their respective capitals to further strengthen the effect of the treaty between them.
The Barithshemite Monument to Naánda was ultimately demolished on the by the Ordunites while on their assault to the nation.
Consecutively, each nation in the Great Continent constructed one monument on their respective capitals to further strengthen the effect of the treaty between them.
The Barithshemite Monument to Naánda was ultimately demolished on the by the Ordunites while on their assault to the nation.
(Meruwehamakÿre, Tomihotawe / approx. 720 Before Time)
Tomihotate architecture is heavily inspired on the extensive leaf types from throughout the Hanarimajani bay. They did so because they respected trees by providing them shelter and wanted their architecture to look like them.
Pribetam Nuclear Power Plant: The Thermofusion Chamber
(Príbet, Hjadyniv ASSR / 1999)
Historical Artifacts
(Príbet, Hjadyniv ASSR / 1999)
From left to right:
- Hiraramuhi Scepter: The Golden Leaf of Hope.
- Turamihebi Helmet of the Hundred Children.
- Tanýjimasa Sword: The Blade of the Language.
Măldjenat
(Príbet, Hjadyniv ASSR / 1986)
Măldyenat is a highly toxic residual substance produced in minuscule quantities by the «Moryugshuk Kyurbunmir» toadstool found in the Myerbayet Cavernous System within the Prýbyet Region, a zone once believed to be cursed until the discovery of bioradioactivity in the past decade. The natural purpose of the liquid hasn't been studied yet.
In 1986, a Măldyenat container exploded spontaneously in a storage site near the Prýbyet Atomic Central. The exposure to Măldyenat fumes produced by the outburst killed thousands within a 5km radius in a matter of minutes. The toxin spreaded with less intensity further into the northwestern part of the Hjadýnmarkhrshak Autonomous Division. After being exposed to the fresh air for some minutes, Măldyenat droplets started to fall upon the nearby forests and cities, prompted an immediate evacuation of the affected areas.
Federat Cap
(Ust-Pernmetan / approx. 1289 Before Time)
The Federat Cap was made by craftsman Minehekep Shenetkem just before the first elections took place in Ust-Pernmetan, Barithshemeth's capital. Mihenekep chose an asymmetrical octagonal structure and made the base with a soft cork-like wood and clothed it with white fabric. On the rim he chose to use pihmitlik fur, as the mammal it came from was native to Barithshemeth and was always related to wisdom and strength. The two-and-a-half kilo gold ornament was later added when Arbaßa taught humanity the skills of ore mining and smelting decades later.
Craftsman Meritben Adahaminat was the responsible for engraving the newly created Barithshemite Coat of Arms on the gold ornament when Federat Saþmuryun created the nation's flag and emblem.
Endorsements
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