The main task was to explore the space, using tools of VR and being able to neglect laws of physics and space.
Using the mesh model of french horn, which was created in 3ds Max, I explored the circular spiral space and concept of scale.
I’ve scaled the French horn to the unrealistic size, so human can fit in it. At the same time, one of the key ideas of this concept was to keep a human the same scale from the entrance and until the defined end of space.
The space inside the French horn is narrow and dark. Its curvature creates dark space with no visible end, or, as you go deeper inside – no visible exit. Therefore, it can be difficult to navigate there.
As you enter, you see bright, reflective ribbons, which help you navigate and show the direction of the space.
From the entrance you see tree leaves, which appear more often as you go deeper inside. These leaves lead you to the tree, which is a simulated end of the space. If you want to go further, you have to scale yourself, as the space becomes too narrow.
Created space itself makes you explore uncertainty and question your trust. As the only navigation you have is created by artist and is impossible to examine or estimate by eye.
French horn in cafe interior
