This is another entry in my project about fake wedding invitations. 

After exploring the early 60s, with this one I jumped to 1967. This late 60s aesthetics, which sort of brings back the nature-based shapes of art nouveau, gives me an opportunity to lean away from vectors, draw things on paper and put extremely smoked eyes on girls.

Unlike the other fake invitations you may have seen in my portfolio, this particular one uses elements from an early design for a real invitation (which in the end adopted a more clean, early 60s look), which include some shapes and the ornaments for the envelope.