The book is completely self=bound with an accordion style.
Full black page breaks allows the viewer to cleanse their visual palette.
This edition of UNTITLD focuses on various artists. This editorial uses the modern
grid system, fashioning itself with a strict structure and full-bleed images. The book is accordion bound with pages sewn into each individual spine. The intermediary black pages provide a clean break when transitioning between spreads. Each layout mirrors the aesthetic of the artist.
grid system, fashioning itself with a strict structure and full-bleed images. The book is accordion bound with pages sewn into each individual spine. The intermediary black pages provide a clean break when transitioning between spreads. Each layout mirrors the aesthetic of the artist.
For example, James Turrell’s introductory spread has a gradient overlay, which directly correlates to visual affects of his light installations. The unique characteristic about this book is that although there is a cover, techinically there is no beginning. The reader can be playful by laying all the spreads out at once, or read them in whichever order they choose.
