由法國小提琴家Olivier Charlier與巴洛克獨奏家樂團展開了一次令人驚艷的音樂對話，300 年以降的法國音樂，通過大師與樂團的短暫交會與琢磨，從最寬闊的格局深入至最精巧的細節。以室內樂、獨奏、協奏的多重形式，開展出一幅繽紛多彩、美不勝收的法蘭西彩繪「印象．法國」。
專輯內頁畫作旅美留法畫家李萬全先生之作品，以畫冊概念延伸對於法國的視覺印象，並大量的使用綠與金色，這兩個顏色常出現在法國當地具有人文意象指標的空間中。在封面折起的一角用縫線縫起，顯現了對於印象的切割、不完整、卻又具象的感受。
整張專輯蘊藏了法國人特有的細緻、激情與多元風貌，更彙聚法國與臺灣兩種不同音樂文化激蕩出的創新風貌。
An amazing musical dialogue between a French Virtuoso violinist Olivier Charlier with Baroque Camerata is held.
From Lully to Rameau, from them to Fauré, and finally to Debussy and Ravel, 300 years of French music was transmitted to the audience of the present. Behind the work are a series of short rendezvouses and constant fine-tuning between the masters and the orchestra. From the expansive to the detailed, using the multiple modes of chamber orchestras, solo performances, and concertos, the collaboration produced a scintillatingly beautiful French tapestry—Iamge France.
It was created by Mr. Li Wanquan, a painter of the album's interior page painting from the United States who had studied in France. The concept of album is extended into the visual impression of France. A lot of green and gold colors are adopted. The two kinds of colors often appear in the local space with humanistic image indicators in France. The folded corner of the cover is sewed with suture, which shows the feeling of cutting, incompleteness and concreteness.
This album, from start to finish, conveys the delicacy, emotion, and many faces and styles inherent in the French character; but that is not to say that the album is completely French—it combines what is singular about both Taiwanese and French musical styles, producing something singular in its own right. Notes compose poems, movements paint pictures, paeans rise in song—these are Image France.
