Approaching photography for the very first time in 2008, my work derived from my intention to dialogize with my inner feelings and emotions, to shape an expression for them, so that people would know me better. It was, somehow, a sort of explosion that surrounded my head and my soul, and which has afterwards becom… Read More
Approaching photography for the very first time in 2008, my work derived from my intention to dialogize with my inner feelings and emotions, to shape an expression for them, so that people would know me better. It was, somehow, a sort of explosion that surrounded my head and my soul, and which has afterwards become a permanent struggle to make it more "human" and articulate. It was later that I have realised that I was trying to understand life instead of living it. That was the particular moment when I stopped taking photographs and instead became more concerned with myself, in general, and with pushing my limits.
My most recent artwork is an approach to the human body, especially the female one. My artworks depict frames and isolates emotions. I am in search of contradictory feelings: fragility intertwines with shame, insecurity distorts objects, a curious sort of tranquility reveals exactly its opposite. My photographic inquiries are particularly intrigued by women who do not or cannot find a place for their own, who superficially or simply unnaturally connect to the places in which they live. Their identity is rarely palpable, and for that reason their faces disolve into the background, which in its turn, has to compensate this lack of expression Read Less
