<?xml version="1.0" encoding="iso-8859-1"?>
<rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:wfw="http://wellformedweb.org/CommentAPI/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:dtvmedia="http://participatoryculture.org/RSSModules/dtv/1.0" xmlns:media="http://search.yahoo.com/mrss/" xmlns:creativeCommons="http://backend.userland.com/creativeCommonsRssModule"  version="2.0">
<channel>
<title>John Skelton</title>
<description>John Skelton Personal RSS Feed</description>
<link>http://www.behance.net/afrojet</link>
<item>
<title>Sans Serious Typeface</title>
<description>The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer. 

Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. 

Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.</description>
<link>http://www.behance.net/Gallery/Sans-Serious-Typeface/337605</link>
	<content:encoded><img src="http://behance.vo.llnwd.net/profiles3/102926/projects/337605/01029261259088163.png" style="float: left; margin-right: 15px; " />The ‘Sans Serious’ Series is a group of tribute typefaces meant to honor Dutch designer and typographer Jurriaan Schrofer. 

Along with Wim Crouwel and Josef Albers, Jurrian Schrofer (1926 - 1990) was among the Bauhaus pioneers of grid-based modular typography and design. 

Schrofer's work experimented with type, light, and color and focused on mathematical shapes and pattern.</content:encoded>
	<guid>http://www.behance.net/Gallery/Sans-Serious-Typeface/337605</guid>
<pubDate>Tue, 24 Nov 2009 12:50:26 -0600</pubDate>
</item>
<item>
<title>Futur-A-Pattern Series</title>
<description>This series showcases the lowercase "a" from the typeface Futura Stencil Black by using it to create these repeating modular, geometric patterns. </description>
<link>http://www.behance.net/Gallery/Futur-A-Pattern-Series/306823</link>
	<content:encoded><img src="http://behance.vo.llnwd.net/profiles3/102926/projects/306823/01029261253057905.jpg" style="float: left; margin-right: 15px; " />This series showcases the lowercase "a" from the typeface Futura Stencil Black by using it to create these repeating modular, geometric patterns. </content:encoded>
	<guid>http://www.behance.net/Gallery/Futur-A-Pattern-Series/306823</guid>
<pubDate>Fri, 02 Oct 2009 11:19:16 -0500</pubDate>
</item>
<item>
<title>Hunstrüct Typeface</title>
<description></description>
<link>http://www.behance.net/Gallery/HunstrAct-Typeface/301334</link>
	<content:encoded><img src="http://behance.vo.llnwd.net/profiles3/102926/projects/301334/01029261252431946.png" style="float: left; margin-right: 15px; " /></content:encoded>
	<guid>http://www.behance.net/Gallery/HunstrAct-Typeface/301334</guid>
<pubDate>Tue, 08 Sep 2009 14:42:15 -0500</pubDate>
</item>
<item>
<title>Thunderball Typeface</title>
<description>Thunderball FAQ: 

Q: What's with the name?
A: At some point over the holidays, the movie Thunderball was on and I got to thinking about jet packs, Aston Martins, archenemies, Blofeld, SPECTRE and whether Miami is really worth 100 Million in diamonds or if it might have been better just to keep the diamonds instead of trying to save Miami. I mean, at the time of the movie, Miami hadn't even discovered cocaine yet and really wasn't on the map. If I were Blofeld, I would have picked an entirely different city to hold a bomb threat over. It was the sixties after all, take out San Francisco. Incidentally, at one point in the movie Bond finds himself in the Bahamas in the middle of a junkanoo, which is a kind of street fair where folks wear insanely colorful costumes (mostly of feathers) and dance around. Junkanoo! Now that would make a great name for a font. Much better than Thunderball. Is it too late to change the name? 

Q: Your recent output - including this clodhopper - seems to be stuck on the 1.8 brick size filter, is your filter toggle stuck or something?
A: Your Mom's filter toggle is stuck, buddy! And my next font will be called Clodhopper, and it will be yet another font built at 1.8 and it's going to be big and thick so you'll really feel it when I beat on your skull with it. 

Q: Whoa! Touchy. Ok, how about that uppercase 'T', it's awfully funny looking, you gonna change it?
A: Oh Boy. You just don't know when to quit, do you? The 'T' began as a spacing compromise but over the last few days it has grown on me - overtaken me really - like some saccharine soaked pop song that I hate but secretly love. So back off on the 'T', it's not going anywhere. 

Q: Any last thoughts?
A: Blofeld, Junkanoo, Clodhopper - all rad names for fonts that have yet to be born. Q.E.D.</description>
<link>http://www.behance.net/Gallery/Thunderball-Typeface/246064</link>
	<content:encoded><img src="http://behance.vo.llnwd.net/profiles3/102926/projects/246064/01029261245104497.png" style="float: left; margin-right: 15px; " />Thunderball FAQ: 

Q: What's with the name?
A: At some point over the holidays, the movie Thunderball was on and I got to thinking about jet packs, Aston Martins, archenemies, Blofeld, SPECTRE and whether Miami is really worth 100 Million in diamonds or if it might have been better just to keep the diamonds instead of trying to save Miami. I mean, at the time of the movie, Miami hadn't even discovered cocaine yet and really wasn't on the map. If I were Blofeld, I would have picked an entirely different city to hold a bomb threat over. It was the sixties after all, take out San Francisco. Incidentally, at one point in the movie Bond finds himself in the Bahamas in the middle of a junkanoo, which is a kind of street fair where folks wear insanely colorful costumes (mostly of feathers) and dance around. Junkanoo! Now that would make a great name for a font. Much better than Thunderball. Is it too late to change the name? 

Q: Your recent output - including this clodhopper - seems to be stuck on the 1.8 brick size filter, is your filter toggle stuck or something?
A: Your Mom's filter toggle is stuck, buddy! And my next font will be called Clodhopper, and it will be yet another font built at 1.8 and it's going to be big and thick so you'll really feel it when I beat on your skull with it. 

Q: Whoa! Touchy. Ok, how about that uppercase 'T', it's awfully funny looking, you gonna change it?
A: Oh Boy. You just don't know when to quit, do you? The 'T' began as a spacing compromise but over the last few days it has grown on me - overtaken me really - like some saccharine soaked pop song that I hate but secretly love. So back off on the 'T', it's not going anywhere. 

Q: Any last thoughts?
A: Blofeld, Junkanoo, Clodhopper - all rad names for fonts that have yet to be born. Q.E.D.</content:encoded>
	<guid>http://www.behance.net/Gallery/Thunderball-Typeface/246064</guid>
<pubDate>Tue, 16 Jun 2009 00:51:23 -0500</pubDate>
</item>
<item>
<title>Hydroplane Typeface</title>
<description>I took this epic digger while mountain biking in the rain last Friday. No real damage besides a slightly bruised shoulder. But while kneeling on the ground and collecting my wits, I noticed the impression left by my tire treads in the mud and thought there might be a Fontruction idea in there. Hydroplane is the product of that and represents a desire to stay upright, moving forward, with two wheels firmly gripping the terra.</description>
<link>http://www.behance.net/Gallery/Hydroplane-Typeface/227735</link>
	<content:encoded><img src="http://behance.vo.llnwd.net/profiles3/102926/projects/227735/01029261242510179.jpg" style="float: left; margin-right: 15px; " />I took this epic digger while mountain biking in the rain last Friday. No real damage besides a slightly bruised shoulder. But while kneeling on the ground and collecting my wits, I noticed the impression left by my tire treads in the mud and thought there might be a Fontruction idea in there. Hydroplane is the product of that and represents a desire to stay upright, moving forward, with two wheels firmly gripping the terra.</content:encoded>
	<guid>http://www.behance.net/Gallery/Hydroplane-Typeface/227735</guid>
<pubDate>Mon, 18 May 2009 11:05:56 -0500</pubDate>
</item>
<item>
<title>Playtime Typeface</title>
<description>Playtime Typeface is a font with five different styles (regular, bold, rounded, rounded bold, and cutouts). </description>
<link>http://www.behance.net/Gallery/Playtime-Typeface/229320</link>
	<content:encoded><img src="http://behance.vo.llnwd.net/profiles3/102926/projects/229320/01029261243980508.png" style="float: left; margin-right: 15px; " />Playtime Typeface is a font with five different styles (regular, bold, rounded, rounded bold, and cutouts). </content:encoded>
	<guid>http://www.behance.net/Gallery/Playtime-Typeface/229320</guid>
<pubDate>Wed, 03 Jun 2009 00:12:40 -0500</pubDate>
</item>
<item>
<title>Sessions Typeface</title>
<description>Having previously played around in Fontstruct with &amp;lt;a href="http://fontstruct.fontshop.com/fontstructions/show/eclat_weave"&amp;gt;Anni Albers' textile patterns&amp;lt;/a&amp;gt;, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's &amp;lt;a href="http://fontstruct.fontshop.com/fontstructions/show/fontstract"&amp;gt;fontsract&amp;lt;/a&amp;gt; and Stewf's &amp;lt;a href="http://fontstruct.fontshop.com/gallery/2/all/highest_rated/0/leaflet"&amp;gt;Leaflet family&amp;lt;/a&amp;gt;.

Using Josef Albers' &amp;lt;a href="http://www.fontshop.com/fonts/downloads/p22/p22_albers_set/"&amp;gt;Kombinationsschrift alphabet&amp;lt;/a&amp;gt; (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters. 'Sessions' is the first to get shared. Hopefully, more to come.</description>
<link>http://www.behance.net/Gallery/Sessions-Typeface/224280</link>
	<content:encoded><img src="http://behance.vo.llnwd.net/profiles3/102926/projects/224280/01029261242325806.png" style="float: left; margin-right: 15px; " />Having previously played around in Fontstruct with &amp;lt;a href="http://fontstruct.fontshop.com/fontstructions/show/eclat_weave"&amp;gt;Anni Albers' textile patterns&amp;lt;/a&amp;gt;, I thought it time to turn my attention to her husband Josef's work. Josef Albers' constructivist typographic experiments are a perfect match for Fontstruct. Other Fontstructors have done great work with Alber's ideas. Most notably, Saberrider's &amp;lt;a href="http://fontstruct.fontshop.com/fontstructions/show/fontstract"&amp;gt;fontsract&amp;lt;/a&amp;gt; and Stewf's &amp;lt;a href="http://fontstruct.fontshop.com/gallery/2/all/highest_rated/0/leaflet"&amp;gt;Leaflet family&amp;lt;/a&amp;gt;.

Using Josef Albers' &amp;lt;a href="http://www.fontshop.com/fonts/downloads/p22/p22_albers_set/"&amp;gt;Kombinationsschrift alphabet&amp;lt;/a&amp;gt; (1928-1931) as my foundation, I've been having a lot of fun remixing and experimenting with his letters. 'Sessions' is the first to get shared. Hopefully, more to come.</content:encoded>
	<guid>http://www.behance.net/Gallery/Sessions-Typeface/224280</guid>
<pubDate>Thu, 14 May 2009 14:31:32 -0500</pubDate>
</item>
</channel>
</rss>