Kaleida Vision is a production company directed by Julie Gratz that specializes in visuals for music. We focus on animation, music videos, fine art, projection, events, tour visuals, video, live painting, choreography, album artwork and more.

Freelance graphic design, animation, illustration, painting, motion graphics, and special effects.

This is a piece created for projection behind the band on Citizen Cope's fall 2012 tour. It is simply what the song "One Lovely Day" sounded like, and what the music created for me. Incredibly thankful for the opportunity and the chance to explore music, movement, and symmetry in this way.

Instruct BYOB painting classes.

As an intern I produced many animations for ONE80's clients, specifically for the New England Patriot's show, "Totally Patriots". I gained valuable skills and knowledge about the motion graphics field and hope to work with them again soon.

As a drawing intern I created hundreds of sketches and drawings that were used as set dressing for the scenes in Morgan Freeman's apartment and the sculpture studio in the film. I also provided previously completed artwork for the scene in the sidewalk art fair.

I illustrated Carole Arsenault's book "The Baby Nurse Bible," providing dozens of medical and other illustrations. http://www.amazon.com/gp/product/1615190147/ref=cm_sw_r_fa_dp_IMbrnb0BWEJ08

I started as a dancer my freshman year on Boston University Vibes, and was promoted to Vice President sophomore year before being elected President for my last two years on the team. As President I am in charge of administrative responsibilities including organizing our Hip-Hop Dance Showcase every spring which features 18-20 professional and collegiate dance teams from around the east coast. As Creative Director, I run practices, choreograph pieces, and oversee all the blocking and staging for our 5-7 minute long mixes that we perform at shows and competitions throughout Boston, New York, and New Jersey. During all 4 years I designed our logo, posters, apparell, and advertisements.

I was assistant choreographer for two years, helping to choreograph all the dancing for the musicals Footloose, and Beauty and the Beast. I was then promoted to Head choreographer for the musicals Kismet, The Wiz, and Damn Yankees. During these years I designed parts of the set, the t-shirts, advertisements, and program covers as well.