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This is an off-shoot from a visual performance accompanying the Rambert Dance Company at the Queen Elizabeth Hall, South Bank, London UK. Originally a flat-e project, they approached me to create abstract visual layers containing subtle hints of human forms and motion, which could tie in with the movement of the dancers on stage. Working with footage of the dancers, I got a bit side-tracked and started experimenting and digressing (after delivering of course ;).


The visuals in this video clip are not how they will be in the final Rambert performance (which has a different look & feel, as well as other elements filmed and created by flat-e). Neither is the soundtrack in this video clip the music used in the actual Rambert performance, and is not what the dance was choreographed to. This is just a standalone piece born from working on the Rambert performance.


When the clip starts, you probably won't recognize a human shape at first, but your eyes and mind will be searching, seeking mental connections between abstract shapes and recognizable patterns, like looking for shapes in clouds. You'll be questioning what you see, is that it? is it sitting? is it crouching? is it kneeling? Then all of a sudden, it'll be crystal clear. Then you'll try and keep it in focus, following it as it moves around, tracking each limb, using the motion to construct an image of the parts you can't see. It'll fade in and out of clarity. At times you'll be clinging onto just the tip of it's hand swinging round, trying to identify any other recognizable parts. You might see another arm or leg and grab onto it, fighting not to lose it. Then it'll be crystal clear again, and then all of a sudden vanish, literally in a puff of smoke, and your eyes will start searching again.


The dancers are Robin Gladwin and Miguel Altunaga. Choreography by Alexander Whitley.


Made with openFrameworks.


more information at memo.tv/reincarnation

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Morten Sørdahl Nielsen
inspiring work, blow'n away by your creativity and finish, really amazing!
Pedro Mari
Pedro Mari, 05-02-09
this is a great one :)
 
 
 
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