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Mastermundo and the art of nowness.
By Marc Boumeester

This year’s edition of Mastermundo had taken some elements of a flash mob, some elements of a

school trip and some of a spiritual session. Seemingly unnoticeable the heterogeneous group of

exactly 100 participants grew closer literally every mile of the journey, which is in itself not

surprisingly. But why was its shape so important for the build-up of the day? After taking one look at

the list of asked participants, one was already convinced this day would contribute immensely to

ones self-development, so why go through the trouble of schlepping around this large group from

city to city, from museum to train, city council, public- bars en squares? Or was this just another way

of polishing up a dull conference by adding something strange?

No, it was not. And this is why.


In the age of intertwining media, where the post-modern notion of cross-media is rapidly losing its

validation and the discourse on “media 3.0” is beginning to consist of hollow phrases, the new

content driven participant takes the lead in redefining the several media and communication-maps.

Within the dying remains of the allocution based communication systems, the new participant freely

floats in and out new forms of multilateral communication. The new participant is no longer going

through the mental process of accepting the changes and opportunities given by the never ending

waves of media revolution, like the vast majority of the current generation of communication

professionals has had to do. The new participant has acquired the ability to accept not only the

possibilities of “media 3.0 and on”, but has also the understanding that all related knowledge will

become obsolete at any given moment. But the new participant is not worried by that at all. By

having been brought up in and with these systems and primarily being driven by content, he has

shifted his learning- and comfort-zone towards the unstable, as opposed to the stable like his

predecessors had. Motion has become the standard, the hypothesis zero. Therefore all definitions of

space and time are now being reevaluated and redefined. It is no longer useful to look at the here

and the there, it is no longer useful to look at the past and the future. Instead the new participant

will constantly rename the here and the now. Finally it will become possible to dismiss the archaic

notion of history being a set of events all resulting in the present. Instead the new participant will

regard the now as being somewhere on the shape we call time, where every traveler has equal

opportunity to make a difference. No longer is he trapped in a fixed grid of space-time, he has finally

become a vectorist, purely existing of direction and energy.

And this is exactly what Mastermundo 2008 showed us. Traveling on the existing infra-structure, but

not being part of it, constantly changing the sets of perspective given to us by the “participants who

knew they could say something” (notice how I carefully avoid using the term speakers, that word

dates from the ancient regime as we now know), fluently drawing its own speedlines along the way,

constantly creating its own context. All this in combination with the absence of the twittertwatter

one normally encounters on such occasions (no added flavours, colours or preservatives), gave this

day a very strong sensation of nowness. For this day we all became the new participant, for this day

the answer to the question “Where are you?” would have been “I am now”.

Mastermundo seen through multiple lenses:

Start of Mastermundo 2008 in the Stedelijk Museum. First speaker: Jeroen van Erp, Head of Creative and Design at Fabrique Communication and Design.

Start of Mastermundo 2008 in the Stedelijk Museum. First speaker: Jeroen van Erp, Head of Creative and Design at Fabrique Communication and Design.

Jeroen van Erp, Head of Creative and Design at Fabrique Communication and Design.

Jeroen van Erp, Head of Creative and Design at Fabrique Communication and Design.

Jeroen van Erp, Head of Creative and Design at Fabrique Communication and Design.

Jeroen van Erp, Head of Creative and Design at Fabrique Communication and Design.

Werner Vogels, VP & CTO Amazon.com

Werner Vogels, VP & CTO Amazon.com

Werner Vogels, VP & CTO Amazon.com

Werner Vogels, VP & CTO Amazon.com

Participant Dagan Cohen, intensly listening to Itay Talgam.

Participant Dagan Cohen, intensly listening to Itay Talgam.

David Wieland

David Wieland

Conductor Itay Talgam, making the audience hum to give the rest of the museum visitors a free concert.

Conductor Itay Talgam, making the audience hum to give the rest of the museum visitors a free concert.

Conductor Itay Talgam.

Conductor Itay Talgam.

Conductor Itay Talgam.

Conductor Itay Talgam.

Marcel Kampman, organizer, enjoying the fact that everything works out as planned.

Marcel Kampman, organizer, enjoying the fact that everything works out as planned.

Graphic designer Max Kisman, hidden in a closet, reading poems to the audience, while they are looking at the at in the museum.

Graphic designer Max Kisman, hidden in a closet, reading poems to the audience, while they are looking at the at in the museum.

Moving from the Stedelijk Museum to Amsterdam Central Station for the second part of the gathering in the train to The Hague.

Moving from the Stedelijk Museum to Amsterdam Central Station for the second part of the gathering in the train to The Hague.

The stewardesses, handing out the headphones for the session in the train.

The stewardesses, handing out the headphones for the session in the train.

André, intensly listening to the story of Ethan Zuckerman.

André, intensly listening to the story of Ethan Zuckerman.

Ethan Zuckerman, sharing his story with the audience while looking out of the window.

Ethan Zuckerman, sharing his story with the audience while looking out of the window.

The view from the train.

The view from the train.

Rafi Haladjian of Violet with his story, while heading to The Hague.

Rafi Haladjian of Violet with his story, while heading to The Hague.

The audience enjoying the stories told.

The audience enjoying the stories told.

Dagan Cohen, Werner Vogels and Itay Talgam are so bored in front of the City Hall of The Hague.

Dagan Cohen, Werner Vogels and Itay Talgam are so bored in front of the City Hall of The Hague.

Max Kisman

Max Kisman

Ethan Zuckerman, writing in the council room of the City Hall of The Hague, waiting for the first speaker at this location.

Ethan Zuckerman, writing in the council room of the City Hall of The Hague, waiting for the first speaker at this location.

Laurent Haug of Lift Conference/Lab.

Laurent Haug of Lift Conference/Lab.

Fons Schiedon talking about his transformation.

Fons Schiedon talking about his transformation.

Itay Talgam conducting the audience.

Itay Talgam conducting the audience.

Werner Vogels telling stories.

Werner Vogels telling stories.

Itay Talgam listening.

Itay Talgam listening.

Transfering to the third location, the greenhouses at the Spuiplein in The Hague at the TodaysArt festival.

Transfering to the third location, the greenhouses at the Spuiplein in The Hague at the TodaysArt festival.

Stefan Agamanolis of DistanceLab in the greenhouse.

Stefan Agamanolis of DistanceLab in the greenhouse.

Alrik Koudenburg inviting the audience to go outside.

Alrik Koudenburg inviting the audience to go outside.

Alrik Koudenburg sharing his story at the Spuiplein.

Alrik Koudenburg sharing his story at the Spuiplein.

Alrik Koudenburg sharing his story at the Spuiplein.

Alrik Koudenburg sharing his story at the Spuiplein.

Closing speaker Devon Reid, reflecting on the day and reading poetry.

Closing speaker Devon Reid, reflecting on the day and reading poetry.

Closing speaker Devon Reid, reflecting on the day and reading poetry.

Closing speaker Devon Reid, reflecting on the day and reading poetry.

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Stefan Venbroek
Stefan Venbroek, 10-22-08
good serie
 
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