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It’s been a while since I stopped thinking about preserving my own style or going along the same line in works which I include in my portfolio. It happens on its own.

It is much more important for me today to show my Russian roots through my works. Even if it’s a small illustration for a small magazine or something I do for a world-famous brand, I try to include a Cyrillic writing, or a Russian Lada car, or even a Kamaz truck. It’s like a personal signature thing.
 
Personally, I am not against digital methods, but I simply don’t use them, just as I don’t use vector graphics. It’s all very personal. Everyone chooses their own way in this. In my case, I always preferred the hand-made method.

I felt a certain magic about typefaces even before I got acquainted with computers. My parents have had loads of coffee-table books with Soviet art of the 1920-s. Back then avant-garde artists used lots of typefaces in their paintings. Still life paintings in oil on canvas with huge black letters on the background mesmerized me. I thought they were something out of this world.
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Alexander Fedorov
ZAEBISЬ
Cary Da Costa
Cary Da Costa, 10-20-09
Great illustrated covers !
Isabel Hidalgo
Isabel Hidalgo, 10-18-09
lovely works*********
Luciano Ferreira
amazing!
Anton Abramov
Anton Abramov, 08-12-09
Эх... мне бы царевну в векторе) я бы таких коверов наделал бы)
nil bartolozzi
nil bartolozzi, 08-12-09
nice! http://www.myspace.com/nilbartolozzi http://bartolozzinil.blogspot.com/ http://www.behance.net/nilbartolozzi http://issuu.com/nilbartolozzi http://www.vimeo.com/nilbartolozzi
Elena Hormiga
Elena Hormiga , 08-07-09
ooooh very cool work!!!
Sergio Creone
Sergio Creone, 07-30-09
Федор...в очередной раз снимаю шляпу и признаюсь...Вы мой кумир...
Philippe Nicolas
Very nice work...
Livius Dietzel
Livius Dietzel, 07-12-09
wow! it's the shiiiiiit!
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