In 1996, after 2 years working with PC Corel Draw, I switch to Macintosh, and the Adobe Photoshop, Illustrator and QuarkXpress suite.
Today I am a strong Mac user, and have 15 years experience as a Graphic Designer and Illustrator.
At the beginning of my career, in Belorussia, from 1994 to 1998, I work as a graphic designer in a small design studio while pursuing my studies with the local School of Fine Arts.
Summer 1998, upon graduating in Graphic design, Multimedia, Painting, and Photography, I join one of the leading multidisciplinary Muscovite advertising agencies, Moscow Print Center where I spend 6 months. My main clients are both Condé Nast publishing - I work on magazines such as Elle and Elle Top Model, and the Independent Media publishing house that issues Men's Health, FHM, and PlayBoy magazines.
Winter 1998, my creative proposal for the Premiere magazine redesign wins a competition run by the Condé Nast Russia publishing house. As a result, during one year, I take on the job of art director of the cinematography magazine.
Moscow, winter 1999 – summer 2001, I freelance with:
Seiko-Epson Russia (web design),
Siemens Mobile (print and poster advertising, visuals design for TV adaptation, etc.),
Bank of Moscow,
L'Oréal (print advertising, corporate identity).
At the same time, I develop corporate identity styles and guidelines, create logotypes, design annual reports, etc. for dozens of Russian companies.
Autumn 2001, I am invited to Milan to work for Pariolli, a Russian-Italian publishing house. During one month I provide consultancy on development design concepts for bilingual magazines.
End of October 2001, I move headquarters to Paris where I freelance on art illustration projects.
Summer 2003 - summer 2006, in Paris, I am the artistic director of one of the largest, most established Russian weekly magazines, La Pensée Russe. Upon my arrival, I change the visual identity which enables a rapid development of the magazine, which is today distributed in France, the UK, Ireland, Spain, Italy and Greece. In 2005, I manage the five people that make up the creative department.
Winter 2005, I take on a new road: commercial illustration. I set up the design studio Opéra78 the main goal of which is to be creative and think different. I offer alternative routes to mainstream and ephemeral trends. I achieve my goals by being highly original and autonomous, from idea inception to final project delivery.